"Tiek uzskatīts, ka Stendāls "Parmas klosteri" uzrakstījis trīs nedēļu laikā, bet Simenons ar vienu romānu ticis galā desmit dienās. Bet cik daudz laika viņiem vajadzēja, lai savas grāmatas iznēsātu, no rīta pieceļoties, uzvelkot bikses, malkojot kafiju, pārskatot vēstules un avīzes, raugoties uz rīta gaismu, kas slīd pār brokastu šķīvjiem, cenšoties saskatīt puteklīšus saules staros? Vajag ļaut, lai ideja pamazām ievelkas. Jāatrod pašai savs rakstīšanas stils. Dzert kafiju - kā Balzakam. Rakstīt stāvus - kā Hemingvejam. Aiziet klosterī - kā Koletei, kuru tur ieslodzīja Villijs. Uzmest piezīmes - kā Zolā. Smēķēt opiju vai hašišu. Izkliegt vārdus skaļi - kā Flobēram. Skraidīt, murgot, gulēt. Vai vispār negulēt - kā Prustam. Bet es?..."
"It is considered that Stendhal wrote "The Charterhouse of Parma" within three weeks, but Simenon was able to finish one novel in ten days. But how much time did they really need to carry out their child (read-book), by getting up in the morning, putting on pants, drinking coffee, browsing through letters and newspapers, looking at the morning sunrays shining onto dishes left from breakfast and trying to see some particles of dust in the sunlight? You need to let the idea brew in a while. Find your own style of writing. Sip coffee like Balzak. Write in a standing position like Hemingwey. Cloister up like Colette. Make notes like Zola. Smoke opium or grass. Cry out words aloud like Flober. Run, have nightmares, sleep. Or not sleep at all like Proust. But me?..."
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